the Uke Man Presents: Michael Wagner Dec. 17th
I’ve organized a show for my New York friend, Michael Wagner. This is his third trip through Columbus and the second show I’ve produced for him.
He is a unique and talented player with credits in New Orleans, New York, and Paris. General information, a review, and a flyer are provided below.
Examples of his music can be experienced at: http://www.myspace.com/newamericanfolk and two videos at: http://www.chappymusic.com/videos.php
(note: playing solo, all the sounds – including percussion – are produced in real time by Michael – no multiple tracking).
The Show – “An Hour with Michael Wagner” is on Wednesday, December 17 at
Victorians’ Midnight Café - 8:00 to 9:00 P.M.
Ukulele Man will open with a short set. No Cover.
Victorians’ Midnight Café is located at 251 W. Fifth Ave. (near Neal Ave.)
614 – 299-2295
- Uke Man

General Information
Since arriving from New Orleans in June 2007, Michael Wagner has established himself as one of New York City's most unique live performers.
As a solo performer, Wagner can silence an entire room with ukulele songs like "Spooky Uke", confounding listeners with his tabla-like drumming. His playing style is so unique that it has garnered him international attention, most recently with his appearance at the 2008 Paris Ukulele Festival.
With his band, Chappy, Wagner surprises audiences with both uncommon instrumental lineups (guitar/sax/tuba trios to sextets including violin, drums and accordion), and a surprisingly loud and animated set. Channeling a much angrier version of Django Reinhardt, Wagner writes songs of "joyful discontent", drawing inspiration from mindless employment, the joys and pitfalls of dating strippers, and his love-hate relationship with the City of New Orleans, his former home.
The energy of Wagner's performances draws listeners in, reminding them that while life may be miserable, it's no excuse not to have fun.
Review
"Kissing Tiny Flowers: Michael Wagner" from JezebelMusic.comThe ukulele is usually an instrument that renders songs stripped of their frills, arrangements slipped off to reveal the structure underneath. But there's always someone willing to think outside the box with the instrument. Michael Wagner manages to find a lot of room for maneuvering within the limited framework of his chosen instrument. With a mixture of taps, slaps, and traditional strumming, he comes across like the Les Claypool of the uke. On second thought, that title is a bit misleading, since his songwriting and earnestness recall the sweetest moments of Led Zeppelin III and old Uncle Tupelo records. But between the lovely tunes and the wow factor, you're bound to find something to love. - Ben Krieger, Jezebel Music





